Mural Painting inside Wat Phra Kaew, Bangkok, Thaland
Mural painting inside the ubosoth in Wat Phra Kaew. The scene of the Buddhist cosmology (the Three `Worlds of Desire, Form and Non-Form) on the western wall behind the Emerald Buddha and that of the Enlightenment of the Buddha on the eastern, or front wall, were painted in the reign of' King Rama 1. At that time there probably was portrayed on the tipper part of the lateral walls the assembly of celestial beings who came to worship the main Buddha image in the ubosoth, a feature typical of the late Ayudhya and early Bangkok painting styles.
The walls between the window's were decorated with scenes from the Life of the Buddha. King Rama ll. had the lateral walls repainted. Above the window's on both the north and the south were depicted scenes from the Life of the Buddha whereas between the windows various scenes from the jataka (previous lives of the Buddha) were shown. On the depicted and the southern side shows a riverine procession. These paintings still exist inside Wat Phra Kaew,Bangkok.
The mural painting inside were newly painted as mentioned above except for the scenes of the Buddhist cosmology and the Enlightenment of the Buddha, respectively, on the western and eastern walls. The golden throne of the Emerald Buddha in Thailand was heightened, as noted previously, by an intermediary base. The king had the superstructure of the galleries around the temple changed and the whole story of the Ramakien (the Thai version of the Hindu epic, the Ramayana) repainted.
The White Viharn of King Rama I was demolished, and the Viharn Yod, with its superstructure in the form of a Thai crown ornamented with multi-colored pieces of glazed terra-cotta, was built in its place. In Wat Phra Kaew;The mother-of-pearl inlaid door of this structure dates back to 1753 in the reign of King Boromkot of the late Ayudhya period.
[Source from; cs.ait.ac.th]
The walls between the window's were decorated with scenes from the Life of the Buddha. King Rama ll. had the lateral walls repainted. Above the window's on both the north and the south were depicted scenes from the Life of the Buddha whereas between the windows various scenes from the jataka (previous lives of the Buddha) were shown. On the depicted and the southern side shows a riverine procession. These paintings still exist inside Wat Phra Kaew,Bangkok.
The mural painting inside were newly painted as mentioned above except for the scenes of the Buddhist cosmology and the Enlightenment of the Buddha, respectively, on the western and eastern walls. The golden throne of the Emerald Buddha in Thailand was heightened, as noted previously, by an intermediary base. The king had the superstructure of the galleries around the temple changed and the whole story of the Ramakien (the Thai version of the Hindu epic, the Ramayana) repainted.
The White Viharn of King Rama I was demolished, and the Viharn Yod, with its superstructure in the form of a Thai crown ornamented with multi-colored pieces of glazed terra-cotta, was built in its place. In Wat Phra Kaew;The mother-of-pearl inlaid door of this structure dates back to 1753 in the reign of King Boromkot of the late Ayudhya period.
[Source from; cs.ait.ac.th]
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